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But now I know what you were trying to say. But I believe our time is gonna come. I believe our time is gonna come I believe our time is gonna come I believe our time is gonna I believe our time is gonna come. Crack the horizon Only you can split the night Then comes your mother cloud to take you away Another wind will dry me And the sun will make me warm But to me my life will always be The calm before the storm. Such a pleasant stay, I must say. So nice, so easy, we hate to say goodbye to you At Riverside Avenue.

As soon as you are able Woman I am willing To make the break that we Are on the brink of My cup is on the table Our love is spilling Waiting here for you to Take and drink of. Original track from the album Nine Lives. Heaven with a touch of New York. Silver with a touch of gold. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental.

Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Articles Features Interviews Lists. Streams Videos All Posts. My Profile. Advanced Search. Track Listing - Disc 1. Sophisticated Lady. Music Man.

Kevin Cronin. Golden Country. Gary Richrath. Son of a Poor Man. Lost in a Dream. Keep Pushin'. Like You Do. Flying Turkey Trot. Ridin' the Storm Out. Roll with the Changes. Time for Me to Fly. Track Listing - Disc 2. Back on the Road Again. The best of the album tracks is hidden half way through side two. This is the commercial REO at full tilt. With snare drums used in place of steel, a steady pop-reggae rhythm and keyboards that sound like pan-pipes, REO suffer a massive, massive lapse of taste and force something upon their audience that sounds like something from an 80s Disney movie played by Aswad at their most uninspired and lightweight.

This is very much further suggested by a fine twin lead guitar break and by the time the band fades with Richrath amid a smooth solo, it marks its place as an album highlight.

Also, while the melodies are strong throughout, endless repetition of the main hook just makes a four and a half minute ditty seem like something that goes on forever. Athough the history books might treat it more like an afterthought, it deserves so much more love. Those whom love Richrath will find four minutes of enjoyment on the title track with various choppy guitar sounds and rocky fills underscoring a big vocal — very much classic REO — but, interestingly, this album reaches its peak during a couple of songs that have a much poppier stance.

However, with a really infectious hook and fine playing from all concerned — particularly Gary — it manages to be an album highlight. In , REO released their first hits compilation. Despite some now dated production decisions that are typical of the mid 80s, both numbers still sound like fine examples of REO at their 80s peak. Tensions had grown between Cronin and Richrath. Even the most gifted of bands have to slide eventually — but for the REO fan, there are at least five tracks that hit that gold standard.

Sometimes sounding like something from a Huey Lewis album, a frivolous feel is key, with Gary playing some great guitar fills and Kevin relishing in a throwaway hook.



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